
I was impressed with the level of production involved in terms of using Shotgun for asset management and spreadsheets for shot management, as you might be aware there is a distinct lack of production candidates out there and this is a good way to get into the industry at a junior level as a VFX coordinator for example.
Neil Roche - Head of 3D - MILK

The Production department includes some of our most valued and challenging roles and it’s encouraging to see this course being developed and delivered in collaboration with experienced practitioners including several from DNEG across the Film & TV divisions. We’re already looking forward to welcoming two of the very first escapees from this course into the team at DNEG.
Vic Wade, DNEG Global Head of Training
Meet our tutors
What our students are saying

I now have a clear map of what happens in VFX and I understand all the opportunities and possibilities within the industry and within the producing path. It is great to understand how everything is linked together."
Adisa Walker (Producing for VFX course), Production Runner at DNEG

It was really good to be taught by real Producers who are currently working in the industry rather than just teachers. They all knew what they were talking about and gave real life examples.
Nunzia Lombardo (Producing for VFX course)
VFX Coordinator at Netflix

There is so much to learn, the industry, bidding, equipment, software… and there aren’t many other courses like that one. There is an assumption that you need to be a Runner to get into Production but with a course like this, you could get fast-tracked and have an advantage to other Runners. It makes you more employable.
Doing the course has helped me to plan how to progress in my career. I now know what I need to do in order to progress faster. I feel more confident going back to work now.
Eleanor Taylor-Goff, Production Assistant at Jellyfish Pictures